Literature about “brown weirdos,” as Celia C. Pérez describes young Latinos in the U.S. who acculturate in non-stereotypical ways, are hard to come by, but in the Mexican-Cuban author’s debut children’s book, “The First Rule of Punk,” she presents the punk rock-loving Latina character that quirky brown girls have long awaited.
The book, published by Viking Books for Young Readers in August, follows 12-year-old María Luisa O’Neill-Morales, or, as she prefers to be called, Malú, a half-Mexican, half-white angsty middle schooler. She just moved a thousand miles away from her father, who she idolizes, to Chicago with her mother, who she often clashes with. Malú’s mom, Magaly, or, as her daughter refers to her, “SuperMexican,” wants the tween to be “less punk rocker and more señorita.” At school, Malú’s black nail polish and Doc Martens become fodder for mean popular girls and grounds for suspicion by her principal.
Feeling like she’s drowning in a pool of clichés, superficiality and her mother’s unappealing traditions and history lessons, Malú holds on to what her rocker father told her was the first rule of punk: always be yourself. With this in mind, she and three other misfits start a punk band called the Co-Co’s. The band’s name is a play on coconut, after cool-girl Selena Ramirez hurls at Malú for being “brown on the outside but white on the inside.” But while the band is a way to resist school conformity and her mother’s stuffy cultural customs, it ends up also introducing her to the oft-forgotten history of Mexicans as co-creators of punk culture. Through this discovery, Malú realizes that her love for the unorthodox doesn’t mean she has to abandon her Mexican-American heritage.
“It’s about embracing all the mismatched parts of yourself and learning how they fit together,” Pérez, a Miami-raised, Chicago-based community college librarian, tells mitú of her book. “Malú is able to reconcile the different parts of her identity through punk because it gives her the freedom and the tools to explore and to create, to learn and to embrace who she is.”
While “The First Rule of Punk” is not autobiographical, the bicultural writer behind it shares some similarities with her protagonist. Like Malú, who makes zines to express herself, Pérez has been a part of the do-it-yourself zine scene for 20-plus years, an arena she entered because of her own love of punk music. And as a brown daughter to immigrant parents growing up in a city that has one of the highest populations of Latinos, she too was misunderstood.
“There’s a line in ‘The First Rule of Punk’ where Malú says that her mother sees the anger but not the beauty in the music she listens to, and that’s how I think some people approach punk. They see angry, disgruntled, disaffected young people. But punk is also creative, energetic, and affirming,” Pérez says. “It’s these characteristics that drew me to it in the first place. Sure, I love a fast, loud, aggressive song, but in all my years identifying with punk I’ve seen how cool it is when people take initiative to create what is missing and what is needed in their worlds.”
It’s Pérez’s hope that youth like Malú, those who exist beyond the binary and whose interests and experiences don’t fit neatly into a box, can see themselves in this character and feel affirmed.
“A big part of Malú’s journey involves figuring out how to be happy being herself, but also how to find a community that supports her and how to create what she doesn’t see. These are all, in my opinion, not only punk ideas but also messages that are important for all kids as they grow up and begin to struggle with peer pressure and societal expectations and figuring out where they fit in the world,” the author says.
While the pressure to fit in starts early, Pérez says that it’s heightened during middle school years, a time when young people begin to separate into groups and really begin “feeling the heat of peer pressure.” That’s why this book is written for middle school-aged children. She wants young Latinos to have literature that can help them make sense of these experiences and encourage them to be themselves — always. But, with its universal themes, she also hopes that it’s a book non-Latino children can pick up to relate to and expand their world views.
“We need books that empower kids and help them develop a sense of curiosity and empathy,” she says.
Up Next is a FIERCE series highlighting rising Latina and Latin American women artists you might not know about but definitely should.
You know what Paquita la del Barrio is to your grandmother or perhaps what Jenni Rivera was to your tía? Well, that’s what Victoria La Mala is for our generation: a singer whose inner power is the only thing more forceful than the strong vocal pipes she uses to remind you that you are that bitch.
Born Victoria Ortiz in Mexico City, the singer-songwriter jumped into the music scene in 2015, bringing a refreshing sound and style to regional Mexican music with all the same girl power of her barrier-breaking female predecessors. Describing herself as the musical offspring of Tupac and Selena, the now Los Angeles-based singer places her soulful vox over traditional banda and ranchera rhythms to deliver treats for your ears and soul. Her songs, like last year’s chart-making “Merezco Mucho Más,” call out male fuckery and empower girls to know their strength, worth and beauty and leave toxic romances behind.
On the block, Victoria, who’s also the first Mexican artist to be signed to Roc Nation Latin, continues to be inspirational. On Monday, the 30-year-old launched her fifth annual #TeamMalaPromGiveaway, a campaign providing low-income teenage girls in Los Angeles with dresses, accessories and makeup and hair tutorials. This year, she will help 50 girls, who must submit their applications before March 29, become the prom princesses she knows they already are.
We chatted with Victoria all about the giveaway, making banda bops for millennials, her anticipated new, and sonically different, music, as well as why she wants to empower women and girls in everything she does, among so much more.
FIERCE: You were born and raised in Mexico but also spent much of your time growing up taking extended trips with relatives in Los Angeles. What genres of music were you listening to here and there, and how do you think this has influenced your pop-urbano-banda style today?
Victoria La Mala: I used to listen to a lot of regional Mexican music in Mexico because of my parents. They love banda and mariachi. I spent a lot of summers in LA, and I had some aunts who listened to hip-hop, ‘90s R&B, and I loved soul. I think all of those styles of music influenced me, and I think you can hear them in me.
FIERCE: Absolutely. While you sing mostly regional Mexican genres, you have a very soulful voice. Talking about your voice, it’s very strong and powerful. No one can deny your vocal talent. When did you realize you could sing and that music was something you wanted to pursue?
Victoria La Mala: I literally cannot remember a time in my life without singing. When I look back on my childhood, I was that one little girl always singing. I loved music. I sang in class and school. But when I was 15, I started getting a little more confidence in myself. I’d be out at parties and people would say, “sing for us.” That’s when I realized this is something I love and have a big passion for. I started singing in a couple bands. I sang at family functions and school functions. So I think when I was around 15 is the time I was like, I love this and I think this is what I want to do.
FIERCE: Why banda? This isn’t exactly a genre that’s expected from young millennial women?
Victoria La Mala: For me, it was always important to represent my culture and tell my story as a woman. Some of the first memories I had listening to live music was banda. My first album in 2013 was full banda. It was just important for me to represent. My dad had passed away a few years before then, and he loved banda. When I moved to the States from Mexico, I wanted to represent from the beginning, and from there I started evolving as an artist as well. I tried different regional sounds and more fusions, because it’s all a part of my story and who I am. I was exposed to more types of music. Being a girl raised in Mexico City, I listened to everything in the streets, Spanish rock, cumbia, so I think it’s important to represent my culture and my story.
FIERCE: I love that and definitely see that. While artists like Paquita la del Barrio and Jenni Rivera made waves for women in traditional Mexican music, these genres continue to be male-dominated. Honestly, most Latin genres do. How has your experience been trying to navigate this industry as a woman, and as one who is very vocal about her opinions on men and proud of her identity.
Victoria La Mala: You know, they always say, “Victoria hates men.” But I don’t, just a couple that have been bad, but some are great. But it’s definitely difficult being a woman, not just in music, in a world that has been male-dominated. The roles of women have slowly been changing: women started working, started going to school and now they’re doing basically anything that we want. But because it hasn’t been many years to do these things, it’s still a struggle. And in music, it’s reflected. Music, I think, reflects what’s happening in society. Now girls are starting to take power in music. Girls want to listen to other girls. They want to feel identified and want our stories told. It’s definitely still difficult. It’s definitely still a struggle, especially on the industry side. There’s this idea that girls dont like girls, girls don’t like to listen to girls. This is also an idea that has been changing, though. I grew up listening to women I love, playing my CDs and singing along to them. I think women nowadays are the same: we want to hear our stories.
FIERCE: I think you’re right. Not only are many of the rising acts in Latin music women, but they are sharing their stories through their music.
Victoria La Mala: Right, exactly. Thank you.
FIERCE: Making a space for yourself where others might be uncomfortable, though, isn’t something you seem to ever shy away from. Another example: you’re the first Mexican artist signed to Roc Nation. How has this been for you?
Victoria La Mala: It has been an amazing experience. I’ve been able to learn so much from people in the industry who have been doing this for years. I’ve met legends, people I looked up to as a little girl, people I still look up to.
FIERCE: Like who?
Victoria La Mala: Like Beyoncé and Rihanna. I got to sing with Paquita la del Barrio. Olga Tañón invited me to sing with her at Premio Lo Nuestro. It’s been an incredible couple of years, learning and growing so much. It’s been really amazing for me. This is part of what I always wanted to do: represent my culture and what I come from as Latinos and Mexicans in a more general-market kind of way. People never really listen to Mexican music, so for them to say, “let me see this Mexican artist signed to Roc Nation,” that’s an amazing experience. As you mentioned before, part of me always feels like I have to fight for what I want. I grew up seeing that. I grew up around strong women that will make a way.
FIERCE: And that’s clear in your music. As I stated earlier, your songs are very bold and empowering. They often validate women’s experiences in relationships and remind them of their own strength, beauty and power. Why?
Victoria La Mala: It’s so important for me because I think music literally is the soundtrack to our lives. We have songs we play when we are feeling so sad and want to cry. We have songs we want to play that cause us to feel strong, like you could do whatever you want to do. I grew up listening to strong women that made me feel powerful, and it’s important for me to give that back to other girls. Sometimes, I play my own songs when I’m going through it, like, “yes, girl!”
FIERCE: Haha! I love that. I can honestly say that “Si Va A Doler Que Duela” was one of the songs that helped get me through my last breakup, so I completely get it.
Victoria La Mala: Thank you. I really appreciate that.
FIERCE: You’re also inspiring outside of your music, though. I know you have a prom dress giveaway each year, where you provide dresses, makeup and accessories to underserved teens so they can attend prom and feel like a princess for an evening. Talk to me about this. Why do this?
Victoria La Mala: To me, this is one of my favorite times of the year. I love being able to connect with young girls. When I was in high school, my dad wasn’t there anymore, and my mom, by herself, had to make sacrifices for my siblings and myself. For my high school graduation, I had to figure out dresses, which was so expensive, and I thought, maybe I should come up with a giveaway for girls doing their prom and can’t afford it. There are so many circumstances as to why they might need help. I started this five years ago. I had people, whoever I knew, give me dresses. I said, “anyone who wants to donate, I will give you a CD.” That’s all I had. People donated dresses, and I think we dressed 10 girls that year. I did it all on my own. I had no clue what I was doing, but it was an amazing experience to see girls have the dress they wanted. I knew I needed to do it again. Here we are now in our fifth year. Last year, we dressed more than 60 girls. This year, I’m hoping that doubles. Now we also have sponsors.
FIERCE: What do you think is your overall goal with this giveaway?
Victoria La Mala: My goal is for girls to enjoy their prom. I want them to feel like all their efforts were worth this moment, that all their hard work does pay off. I just want them to be happy that day. I’m also really hoping every year we can double the amount of dresses we give. I also hope that we can take it out of LA. This is my home and community, so this is where I’ve been doing it, but I hope to take it to other cities and one day everywhere.
FIERCE: Love that! I want to get back into music. You haven’t released a new song in a little while, and there’s a lot of anticipation around Victoria La Mala and demand for new music. What do you have in store for this year that you can tell us about?
Victoria La Mala: Well, last year, I put out only two songs. One did amazing and was on the charts, “Merezco Mucho Más,” and the other I put out during the end of the summer, “Corazón valiente,” which was for immigrants. But after that, I had a couple changes within my team. I took time for me to get in the studio, work on music, write my stuff, get involved in everything, from production and sound to writing new songs. We are almost there. It’s just been a process. I’ve just been waiting and writing and making sure everything sounds and is how I creatively see it. Again, we’re almost there. I think it’s going to be something new and different from what I put out in the past and reflects who I am, a mix of Mexican culture and me living in New York, LA, Mexico City, more of the urban side. So it’ll be something new and something I’ve been wanting to work on for a while, so I’m excited.
FIERCE: You’re 30 years old, at the earlier stages of your career, what do you hope people can say about Victoria La Mala in 10 to 15 years?
I hope people can say that I’ve helped them feel empowered, that my music has been a big part of their life. I dont think a lot about this. I think about things I want to accomplish more than things people say about me. I hope my music can empower them and be a part of their life and touch them the way other artists have inspired me.
Fans of magical realism rejoice. On Wednesday, Netflix announced it acquired the rights to Gabriel García Márquez’s “One Hundred Years of Solitude” and will be turning the literary masterpiece into a Spanish-language series.
This is the first time the 1967 novel, considered “one of the most significant works of the 20th Century,” will be adapted for screen. For years, the author, who died in 2014, refused to sell the film rights, believing the story could not be done justice through a two-hour project, according to Deadline.
Rodrigo Garcia and Gonzalo García Barcha, García Márquez’s sons, who are serving as executive producers on the show, believe a series is an appropriate approach to the book.
“For decades, our father was reluctant to sell the film rights to Cien Años de Soledad. He believed that it could not be made under the time constraints of a feature film, or that producing it in a language other than Spanish would not do it justice,” Rodrigo Garcia told BuzzFeed News, adding that the “current golden age of series,” with “the level of talented writing and directing, the cinematic quality of content,” changed the family’s mind.
“The time could not be better to bring an adaptation to the extraordinary global viewership that Netflix provides,” he continued.
The series will be filmed in Colombia.
“One Hundred Years of Solitude” tells the story of the multi-generational Buendia family, whose patriarch Jose Arcadio Buendia founded Macondo, a fictional town in the South American country.
The book has sold more than 50 million copies and has been translated into 46 languages.
In a statement, Francisco Ramos, Netflix’s vice president of Spanish-language content, said, “We know our members around the world love watching Spanish-language films and series and we feel this will be a perfect match of project and our platform.”
He’s right. Since announcing the adaptation, fans of the magical realism novel have been celebrating the news.
There’s no word yet on when the series will debut and who will star in it.